John rutter requiem aeternam full#
John rutter requiem aeternam series#

In contrast to practice in setting the Mass Ordinary, many of these settings used a cantus-firmus technique, something which had become quite archaic by mid-century. In the 16th century, more and more composers set the Requiem mass. In the early polyphonic settings of the Requiem, there is considerable textural contrast within the compositions themselves: simple chordal or fauxbourdon-like passages are contrasted with other sections of contrapuntal complexity, such as in the Offertory of Ockeghem's Requiem. The requiem of Brumel, circa 1500, is the first to include the Dies IrГ¦. Many early compositions employ different texts that were in use in different liturgies around Europe before the Council of Trent set down the texts given above. There was a setting by the elder composer Dufay, possibly earlier, which is now lost: Ockeghem's may have been modelled on it. The Requiem by Johannes Ockeghem, written sometime in the later half of the 15th century, is the earliest surviving polyphonic setting. May the Martyrs receive thee at thy coming,ДЄnd lead thee into the holy city of Jerusalem.ДЄnd with Lazarus, who once was poor, mayest thou have eternal rest.ДЇor many centuries the texts of the requiem were sung to Gregorian melodies. These became included in musical settings of the Requiem in the 19th century as composers began to treat the form more liberally. In Paradisum was traditionally said or sung as the body left the church, and the Libera Me is said/sung at the burial site before interment. Note that the Libera Me and the In Paradisum are not part of the text of the Catholic Mass for the Dead itself, but a part of the burial rite that immediately follows. The following are the texts that have been set to music. 4.7 Requiem by language (other than Latin).But this was a performance for which IВ enthusiastically rose to my feet. It was a quiet piece, but a deeplyВ moving one.ДЄВ critic often refrains from the Minnesota habit of giving almost everyВ concert a standing ovation. In вЂњCarol of the Magi,вЂќ Rutter set his own text ofВ the wise men reflecting years later.

John rutter requiem aeternam full#

These were delicious melodies, full of wit and goodВ humor.Д«runelleВ also programmed a Christmas piece, acknowledging RutterвЂ™s great body ofВ holiday material. RutterВ demonstrates an incredible sensitivity to setting the English language,В and the Ensemble Singers responded with impeccable diction.ДЄnotherВ treat was his вЂњFive Childhood Lyrics,вЂќ charming nursery verses givenВ simple settings that were still full of art, creating delicate, gossamerВ vocal textures. The pieces of ElizabethanВ poetry are enlivened by contemporary jazz, from вЂ™50s swing to scatВ singing. Obviously written for a celebration, theyвЂ™reВ joyous and full of tongue-in-cheek humor. RutterвЂ™sВ вЂњBirthday MadrigalsвЂќ were written as a birthday tribute to the BritishВ jazz giant George Shearing. TheВ first half of the program consisted of much lighter repertoire, sung byВ the 35-voice Ensemble Singers, giving the evening a nice balance of theВ serious and the playful. Scott, which set off the soaring Pie Jesu, was especially moving.

John rutter requiem aeternam series#

Built as a series of briefВ movements - including the rousing, exultant Sanctus and the despairingВ cries of the Agnus Dei - this was RutterвЂ™s personal journey from griefВ to peace. ThisВ music has an austerity rooted in plainchant that blossoms into examplesВ of the great English anthem tradition. The serene consolation of the final Lux aeterna, the chorus delivered aВ performance of exemplary musicianship that also registered as a From the dark, gravelly opening of the Requiem aeternam to TheВ second half of the program was taken up by RutterвЂ™s best-known work, Offered a wide survey of RutterвЂ™s work, covering more than 35 years.Д«runelle clearly loves Rutter - and his music - and he honored the composer with perfectly pristine and heartfelt performances. The program, organized by VocalEssence music director Philip Brunelle, Rutter Jubilee,вЂќ a powerful tribute to the dean of English choral music. Had a festive atmosphere Friday night, as VocalEssence presented вЂњJohn Review by: Basil Considine for TC Daily PlanetД¬entral Lutheran Church in downtown Minneapolis